Sunday, December 25, 2016

KUSHTI, The Art of wrestling - Dubai

Every Friday before sunset, a few hundred spectators gather around a small obscure dirt field, close to the Hyatt Recency hotel to watch a traditional Indian-Pakistani wrestling competition called Kushti. 

Now going back more than 3000 years, Kushti fighters from India, Pakistan and Iran have traditionally been sticking strictly to training programs and are expected to live a pure life where diet is strictly controlled to maximize muscle; smoking, drinking alcohol and sex are banned. 

As the sun starts dipping behind the neighboring Hyatt hotel in Deira, more and more mainly Pakistani expats, start gathering while organizers clear stones and other sharp objects for the upcoming action. Water is being sprayed to give the sand a harder consistency. 

At the start of every round, fighters cover each others back and chest with sand.

About one hour before sunset the competition sets off with about 6 to 8 pairs of fighters, dressed with colorful wrestling underpants taking to the sand pit. A fight only lasts a matter of minutes, with the final aim being to bring down the opponent on his back. 

The referee, and older gentleman and ex-wrestler, carries a colorful pole around; remaining clearly in charge of it all!

After each individual round, the winner walks around the ring to collect some tips; make sure to bring some small money if you really like to blend in well!

Although we couldn't understand a word which was said, it looks like there were rounds for different weight classes.

Being the only Westerner around, both my wife and myself felt a bit like being a stranger in our own city. Having said this, we did feel very welcome with people taking selfies with us in the background.
  Exactly when the Maghrib (just after sunset) prayer was heard from the first mosque nearby, was when it was all over! 

Whenever my day job as an airline pilot allows me, I will definitively be back for more one of one of the next Fridays. Planning on bringing some printed copies of the images, I can already see how grateful there people will be... 

Meanwhile, if you want to check out the entire gallery of my "Kushti, the Art of wrestling" gallery, click here. 

If you are however interested in more of the beaten track events in the UAE, make sure to also go to the Bull butting contest in Fujeirah every Friday. Click here for more. 


Saturday, December 24, 2016


Wishing all of my blogreaders HAPPY HOLIDAYSFor the ones celebrating; Merry Christmas

For all of you, may 2017 bring you good health, joy and happiness!

As an official Fujifilm X-Photographer, 2016 has been another exciting year for Fujifilm; for me the most exciting was undoubtedly attending the 5th anniversary of the X-series system in Tokyo early January 2016! Below are my top 3 Fujifilm reviews on this blog:

2017, will likely be filled again with great gear reviews, photo-adventures and more...


Wednesday, December 21, 2016

Pic(k) of the week 52: The myth of the WHITE TIGER - Al Ain Zoo, UAE

The myth of the White Tiger, says that they are almost extinct and endangered... After doing extensive research I found that some say that White Tigers haven't been seen in the wild since the early 1950's, while others pretend they never existed as wild animals in the first place as they are the direct result of breeding by mankind.

The first camp says it all started in 1951 when one of the last wild white tigers was captured as a cub; the story has it that Mohan was caged by the Maharajah in India and destined to father a significant portion of the worlds captive white tigers population. 

What is however clear, is that White Tigers are not albinos or their own separate species.; they occur when two Bengal Tigers that carry a recessive gene controlling coat control, are being bred together. In order to continue and breed this recessive gene, breeders must continuously inbreed father to daughter, father to granddaughter and so on. Just like with humans, this inbreeding is causing a lot of genetic problems such as mental impairments, scoliosis of the spine and organ problems. The fact that they are so deeply inbred also means that they will never be ready to be released into the wild and that they have a far shorter live span than its wild brother and sisters.   

In 2011 the association of Zoos and Aquariums, has banned member zoos from breeding White Tigers themselves; even if they do follow that advice, quite a few zoos are however still accepting White Tigers from other sources. 

The Al Ain zoo in the UAE, had two White Tigers donated by the Dubai Royal family in early 2011; a female called Sugar and male called Spice. Unfortunately Sugar died end of 2016, leaving green eyed Spice very lonely and unhappy. The image below was shot through a glass wall as he walked around his enclosure in search for his female counterpart, early December this year. 

Image details:
  • Fujifilm X-T2 with the XF100-400 lens
  • ISO 200, f5.6, 1/250s , 400mm
  • RAW development in Lightroom CC

Although I've never been a huge fan of zoos, I was quite happy to see how the Al Ain zoo seems to be looking well after their animals; most animals have decent size enclosures and with its total 400 hectare total area, the zoo has a lot open space making it very different from your typical zoo around the world. Worth checking it out here.  

Having said this, taking the effort to see animals in their natural habitat remains the best way to support animal conservation. In case you missed it, please make sure to check out my "Fujifilm goes wild", to check out some "real wildlife" photography from my latest trip to Tanzania.  Click here for more.

Remember: "Life is a zoo in a jungle" - Peter de Vries.


Tuesday, December 13, 2016

Pic(k) of the week 51: Cloudy skies over the Meydan bridge

Most of you probably figured out that I have a weak spot for bridges in my Architectural work. Although I normally try to balance my Pic(k) of the week with different topics, after last weeks "Dubai Canal bridge"posts, I'll be a repeat offender this week! 

One of the places, I try to visit at least once every winter is the Meydan Bridge in Dubai; picking a day with rare (for Dubai) clouds, was a must for this years  visit!

This great bridge is a little of the beaten track for most people visiting Dubai, but I've noticed that it has attracted more and more attention over the last few years. The night I was there, a handful of Chinese photographers visiting from Shanghai, were also there.

The image below was made during the blue hour, about 20 min after sunset. And "blue" it was!

Image details:
Fujifilm X-T2 with the XF 10-24 f4 lens
ISO 200, f13, 16mm, 3 shot bracket between 1/2sec and 10sec
Merge to 32 bit  file with HDR Pro in Photoshop CC
Nik ColorEfex pro4 for optimal constrast

Although the great blue LED system designed by Philips Lighting is so typical for this great piece of architecture, I also converted one of the images into Black and White. Click here for more! 

Remember: Until you cross the bridge of your insecurities, you can't begin to explore your possibilities" - Tim Fargo

Tuesday, December 6, 2016

Pic(k) of the week 50: Dubai canal footbridge minimalism

Sometimes one goes out on a photoshoot with a preconceived idea... such was the case when I left for the recently opened Dubai Canal last week! I had envisioned a blue hour image of one of the footbridges with the Dubai skyline in the background. Unfortunately a barge was parked below the bridge, ruining the original planned shot.

Time to revert back to Architectural minimalism! For me the image below worked well for two reasons; 
  1. Shapes, the fact that one can see several interesting triangles. 
  2. Colour, the use of the complementary colours blue and yellow 
Originally I had planned to convert the image to Black and White, but I find the colour version much more pleasing. 

Image details:
  • Fujifilm X-T2 with the XF10-24mm f4 lens
  • ISO 200, f6.4, 1/250s, 10mm (15mm full frame equivalent)
  • RAW conversion in Lightroom CC
  • Photoshop CC to remove a few imperfections in the paint of the bridge
  • Nik ColorEfex Pro 4 with the Graduated, Brilliance and Pro Contrast filter

I've added the shot to my Architectural Portfolio, which means I believe the image is one of my stronger ones. I'm a believer in keeping your portfolio(s) small and have therefore no problem removing one of the older images. To check out the latest of my Architectural portfolio click here. 

Remember: "We build too many walls and not enough bridges" - Isaac Newton


Thursday, December 1, 2016

FUJIFILM GOES WILD - African Wildlife Safari with the XF 100-400 and XF1.4X TC

Earlier this month, I left the busy city environment of Dubai for a 9-day photo-safari in Northern Tanzania; visiting four National Parks (NP), Tarangire NP, Lake Mantra, Serengeti and last but not least the world renown the Ngorongoro Crater NP.

This was the my first Wildlife photo-safari shot exclusively on the Fujifilm system. Earlier trips to the Kenya and Namibia had all still been with the much heavier and bulkier DSLR system. 

Even though, I don't see myself as a Pro Wildlife photographer, I do really enjoy a good photo-safari. What is below is an overview of the gear I packed, some tips and tricks and the overall experience I had with the Fujifilm equipment in the wild!

PHOTOGEAR - What did I pack?
One does not want to go with a single camera body on a trip like this; do yourself a favor and  bring a back-up camera! I carried my Fujifilm X-T2 as the main body with the X-T1 as a back-up/second camera. The X-T2 had the Vertical Power Booster Grip (VPB-XT2) while the X-T1 had the Large Metal Hand Grip (MHG-XT). 

I brought the following glass:
  • XF100-400 ; my main wildlife lens
  • XF50-140 ; for wider shots and potentially as a back-up with the XF 1.4TC if something would go wrong with the 100-400
  • XF10-24 ; for wide angle vistas (rarely used)
  • XF23mm f2 ; for street photography when traveling between places
  • XF18-55 ; all round travel lens, although used it could have probably stayed home
  • XF1.4X TC ; teleconverter used a lot on the 100-400 lens

Beside the above, I carried an 15 inch MacBook Pro, a 2 TB external hard-disk and a single charger for the cameras as well as the new AC-9V AC Power Adapter that allows to charge two batteries in the grip simultaneously. Talking about batteries; I took a total of 6 batteries which turned out to be largely sufficient. 

I brought plenty of memory cards; a total of 288GB which allowed me to not format a single card during the trip. This will give you an extra backup beside the download on the laptop and external harddrive. 

Leave the tripod home as their often is no real use of it, except if one wants to photograph the night sky which can be very dramatic. But bring a bean bag to stabilize 
long glass on the window/roof sill of the car. When you are tight on baggage allowance, bring an empty bag and buy the cheapest beans you can find in a local (super)market. It will work just as well.

All was carried in two camera bags, the main one being a ThinkTank Streetwalker Pro and the second one an Everyday Messenger bag from Peak Design.


Generally try to pack as light as possible, but make sure to pack a few warmer clothes for those early morning Safaris. Believe it or nor but it can get a bit chilly in Africa, especially in the higher elevation parks like the Ngorongoro Crater.

  • A good flashlight will come in handy as a lot of the more basic accommodation will probably not have electricity during the night. 
  • Take a few zip-lock bags to protect stuff that can't handle the dust; It will get into everything.
  • Bring a Safari hat; a classic baseball cap is really out of place and will not protect you from the harsh midday sun. 
  • Make sure you have the correct electrical plug converters for the country you visit; click here for more.


Needless to say that a trip like this requires a decent amount of planning! First of all one has to decide when to go and where to go... Whenever the trip is to Kenya or Tanzania  a lot of photographers will want to be there for the "Great Wildebeest Migration". If not familiar please check out the link here

On my latest trip we however wanted to go to the Serengeti during the dry season (just before the short rain season) which gives a very different perspective to the place but also comes with specific challenges! While dust is always present  during a wildlife safari, it proved to be very much the case on this one. The "where" to go I'll leave entirely up to you as there is plenty of choice!

A great place to start the planning is ; they will send you quotes from most of the Safari companies organizing African safaris. When choosing a company please make sure you book a "Private tour". As a photographer you really don't want to be teamed up with non-photographers! The first will be ready to leave early before sunrise while the second group will be ready to go after breakfast when the best light of the morning is gone! If you do travel only with photographers, make sure that you set your objectives and expectations beforehand, as it can easily create tension amongst different photographers as well. I personally like to travel alone (or as a couple); something that obviously will be more expensive as a car and driver is obviously still needed for 1 or for 5-6 people. 

Check that the car you book is a 4x4 (normally Landrover or Toyota) and not a converted mini-bus. The latter are not ideal for wild-life photography. Then there is the choice between a closed or open vehicle; the second one is the preferred option but is largely being limited to the South-African Safaris as the travel distances on the road in Kenya and Tanzania can be quite long and not comfortable in an open car. For more info check out this well written article here

Make sure that your car an inverter installed to charge batteries and other electronics while on the go; especially when camping without the access to electricity at night. 

Lastly ask your local travel agent if the driver is familiar with wild-life photography; if possible ask for a referral to a photographer group/person that used them lately. 

In most places one can self-drive but this comes with its challenges as road-signs are often pretty thin in this part of the world. Beside, the safari drivers stay in contact through radios which makes finding wildlife easier than being on your own. On the other hand, there is of course something to be said about the freedom of being alone in the African Savannah! 


A safari will never be a cheap holiday, accommodation can vary from basic camping to luxury 5 star lodge accommodation. I personally prefer the "tented camps", such as Katti Katti in the Serengeti. These have all basic needs such as a toilet and shower but give you the advantages of a real camping experience; living amongst the animals.

While hyenas and other animals can be heard during the night, one morning we found a nice fresh elephant poo right outside our tent. Nature at its best!


1/ A few weeks before leaving, check what vaccinations you might need. Most places in Eastern African will also come with the recommendation of taking anti-malaria tablets; check with a medical professional for more. 

2/ One will often have to fly on domestic flights when going on safari. Avoid exceeding the hand and check-in luggage allowances; not only in weight but also in size, especially when flying on the smaller single-engine aircraft. You really don't want to load your photo-gear in the cargo hold of the aircraft. Believe me, as an airline pilot I do know how checked in luggage is often handled! 

If traveling with two photographers, a back-up camera as well as some lenses can be shared; maki amongst the two of you. Using mirrorless cameras like Fujifilm, allows me meet those weight requirements much easier. 

3/ Try to only use weather proof photography gear; not so much as a protection for rain but much more for dust. The African safaris are notorious for a lot of dust while driving. If you don't want to ruin your photographic experience, plan on not changing any lenses while being out and about; use your back-up camera with the alternative lens. 

4/ If you do take a personal driver/guide, advise him at the start of the trip what you expect from him. Agree on how you will make him stop when you see something and that you'll let him know when it is OK to start driving again. You might also have to explain to him that you normally prefer to have the sun in the back.

5/ Rather than taking breakfast in the lodge/tented camp, ask for a breakfast box so you can leave before sunrise. Tell the driver you are ok to come back to the accommodation during the mid-day harsh light and then leave again around 2.30-3pm. In order to be able to do this, it is advisable to have your accommodation inside the National Park.

6/ Use a geotagging app on your smartphone. After the trip, Lightroom will sync all of the images to the GPS track which will give you a good idea where exactly you took your shots. I personally use

7/ Go as low as you can! Getting a low perspective will often lead to more dramatic images. This is where the advantage of an open 4x4 will come in handy. If not, consider shooting through the side windows rather than from the higher open roof viewpoint when the situation allows it.

8/ Be patient! Rather than driving around like a headless chicken, spent time with the animals you find on the way. When a Leopard takes an afternoon nap in a tree, she will eventually come down; patience pays off! 

9/ When the animal is close to the car, don't put the long glass down! Details shot often make for interesting wildlife photography.

10/ Enjoy the experience of being in the wild. Don't forget to sometimes just put down the camera down in order to really let the whole experience sink in! 


Personally I believe that cameras like the X-T2 (review here) are near perfect for Wildlife photography; fast auto-focus with excellent glass like the XF100-400 make for a great combination. 

Before my recent trip to Tanzania, I had limited experience with the XF 1.4X Teleconverter and XF100-400 lens. It is not a secret that Teleconverters will degrade the image quality. However when paired with the 100-400 lens, the sharpness remains really good. Actually I can hardly notice the difference with or without it. I therefore had the TC on the camera most of the time; especially when I suspected that extra reach might be needed. The image below is taken at 560mm or 840mm full frame equivalent and is tack sharp!

Both the X-T1 and X-T2 didn't miss a beat in the very dusty environment. For me using weather resistant lenses like the XF50-140 and XF100-400 is a must in such circumstances. 

I did end up charging almost of my batteries with the AC-9V Power Adapter that comes with the X-T2 Power Booster Grip rather than using the standard battery charger. They charge really fast and will do two at the same time. I often topped up my battery load in the car while driving between locations and never took out the batteries in my X-T2 for the whole trip!


A few more sample images of the trip can be found below. Please refer to the metadata below the image for more details.

Those of you who want to see all of the edited images of the trip so far, can visit the gallery "Tanzania Wildlife safari 2016".

Feel free to share this blogpost on social media or your personal blog; permission is not required as long as credit is given to Bjorn Moerman PHOTOGRAPHY! 

Tuesday, November 29, 2016

Pic(k) of the week 49: AFRICA MEETS PAKISTAN, Dubai

Over the years, Street Photography has taken a much larger role in my personal photography. There is no question that the Fujifilm cameras I've been using since November 2012, are definitively responsible for that!

Since Fujifilm announced the new 23mm f2 lens a few months ago, it has quickly taken over from the 35mm f2 in becoming my new favorite Street Photography lens. 

Sadly the 35mm f2 has been neglected since the announcement. Time to do so something about this!

The image below of 3 African ladies walking along two Pakistani men, shows how much of a multi-cultural place Dubai really is! Standing on a footbridge, I was especially attracted by how the shadows added the extra dimension to the shot.

Image details:
  • Fujifilm X-T2 with the 35mm f2 lens
  • ISO 400, f8, 1/180s
  • Lightroom CC for RAW file development; used Camera calibration Classic Chrome and then converted to Black and White 

My best Street Photography work can be found in their respective Colour and Black and White galleries.

Remember: "All the technique in the world, doesn't compensate for the inability to notice" - Elliott Erwitt